Garment District Cart, West 38th St., New York
Saturday, 4 May 2013
Thursday, 2 May 2013
Alison Wilding
Assembly, 1991.
Powder coated steel and PVC, 1250 x 1740 x 5470mm
This entry is partly based on an interview with Alison Wilding held on 4th November 2003.
The two parts of this sculpture are similar in shape and size but completely different in materials and character. One is a dead-end tunnel formed from four sheets of mild steel which have been powder-coated black and the other is a complex three-dimensional grid, assembled from strips of brown, transparent PVC three mm sheet, which sits in front of the tunnel in the same orientation with the tips of the bottom layer of PVC strips just inside the tunnel entrance.
In an interview in November 2003, the artist said that the forms in Assembly arise partly from the idea of monocoque (French for "single shell") construction. This technique uses the external skin of an object to support some or most of the load on the structure as opposed to using an internal framework that is then covered with a non-load-bearing skin. Looking at the two forms inAssembly, it is clear that the artist is not using this type of construction literally. She said “I wanted to start making a work that didn’t rely on the surface. I think up until that point I’d been using a lot of sheet metal. All the works contained a space so you encountered the exterior and within the exterior there was this volume or void. I completely wanted to change the way that I was working ....It’s very hard to make a new direction but in this case I wanted to turn it inside out, to make the surface what was also the core of the work”.
Labels:
sculpture
Sunday, 21 April 2013
Sunday, 7 April 2013
The Bride and the Bachelors: Duchamp with Cage, Cunningham, Rauschenberg and Johns | Barbican
The Bride Stripped Bare by her Bachelors, Even (The
Large Glass) 1915-23,
reconstruction by Richard Hamilton 1965-6, lower panel
remade 1985
3 Stoppages étalon (3 Standard Stoppages) 1913-14, replica 1964,
Wood, glass and paint on canvas, 400 x 1300 x 900 mm
Labels:
sculpture
Friday, 15 March 2013
Sunday, 3 March 2013
Sunday, 24 February 2013
John Chamberlain
Dolores James, 1962.
Welded and painted steel, 72 1/2 x 101 1/2 x 46 1/4 inches (184.2 x 257.8 x 117.5 cm)
Solomon R. Guggenheim Museum, New York
Labels:
sculpture
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